Quick: Who amongst you can tell me which is the longest-running continuous Fetish Night in North America?

Hint: The operative term here is “continuous”. Other organizations (Society of Janus, The Eulenspiegal Society, Black Rose, Leather Rose, etc.) certainly could lay claim to being “long-running” in the planning and execution of various events and fetish parties. Here’s another hint: The answer … isn’t located within the United States. Unless you aren’t the type to take notice of headlines, the answer should be fairly obvious. There has been no other regularly scheduled and (regularly and punctually-produced) fetish event in North America other than those scheduled by Toronto’s Northbound Leather. Over the past twenty years, host locations certainly have changed, but one thing has remained constant: a great time has generally been had by all, without fail and without interruption. In the event that you’re a “numbers person”, that’s 240 straight months without interruption.

Surprised? You shouldn’t be. The iconographic and legendary emporium of leather fashion and fetish finery has long been one of the most visible suppliers to any number of fetish and SM enthusiasts, worldwide. The tireless “First Family of Leather”, George and Anna Giaouris, have spent a near-lifetime not only outfitting tens of thousands of satisfied customers (including some very “big names” in the entertainment industry, as an example), but have been enthusiastic supporters and sponsors of dozens of fetish-related events across the continent.

 The very first Northbound Leather Fetish Night, twenty-some years ago, attracted approximately 60 total admirers and enthusiasts. The 20th Anniversary Party that was held at Toronto’s newly-renovated Club Revival on February 20th had advance ticket sales in the high-hundreds alone. My beloved – the extraordinary and alluring beauty known across the continent as the incomparable Lady J - and I were amongst the first ten or so people to have arrived. We were greeted immediately by a gaggle of close friends, and we secured our spots close to the performance stage along a far wall.

It wasn’t long before the crowd started pouring in – dressed in some of the most amazing, colorful and extraordinary fetish wear this town hadn’t seen since the triumphant debut of Torture Garden in Toronto last summer. There is something about a “special event” (be it a debut or a celebratory anniversary) that brings out the absolute passion that lovers of all things “fetish” so feverishly love to exhibit. The atmosphere was hectic, eclectic and definitely electric: the growing, pulsating crowd was further whipped into the heights of fetishistic frenzy with some unbelievable performances by self-bondage artist (and sure to be, if not already, the next great sensation within our collective SM-related realm) Lotuslily and a stirring musical treat from Baron Marcus of the popular genre group The Vampire Beach Babes. Baron Marcus was “accompanied” by a bevy of leather and latex beauties, each wearing modified miner’s masks outfitted with stark white lights, whose gyrations and salutations were an absolute delight to the assembled throng. George Giaouris, the rightly-designated “Godfather” of the Toronto Fetish and SM Community, has long been an advocate of showcasing and helping to develop new talent.

The 20th Anniversary Night was certainly no different. While Baron Marcus has been somewhat of a staple and known presence within the Goth community for several years, it was refreshing to have his hypnotic, exceptional and mesmerizing vocal talents showcased before an appreciative “new” audience. It goes without saying that Lotuslily’s performance resulted in the usual jaw-dropping appreciation for her speed and her skills – but several folk in the crowd (who beforehand had no idea who she was) were heard to be whispering their respect for her, amongst their peers, long after her performance had ended. In an original “twist” to her performance, one of her suspended moments was captured for all time: not on film, but on paper. Northbound Leather had hired the services of a pencil artist to produce an exceptional and original piece of art, live on stage, while Lotuslily continued to weave her suspended webs. It was an exquisite, elegant and thoroughly classy touch.

Northbound Leather’s fetish nights have long succeeded where other events have either failed, or have never dared to venture. The invisible line that seems to divide the Gay and Lesbian leather events (from coast to coast, for that matter) has never been a metaphorical ‘line in the sand’ at a Northbound Leather event. In a word, the Northbound Leather Fetish Nights have (for years, if not for over a decade) could best be described as pansexual: different sexualities, different preferences and expressions and indeed, entirely different identifiable communities have been able to come together and meet on Northbound’s common ground, and feel truly united (and comfortable) under a common umbrella. The Northbound Leather Fetish Nights, over the years, have not been dominated by one identifiable social group: fetish folk from all walks of life (gay, lesbian, transsexual, heterosexual, queer, etc.) have been able to stand shoulder-to-shoulder, and openly express themselves without derision, contempt or hostility.

That’s rare: and it’s the one single reason as to why the Northbound Leather Fetish Nights have been so successful, and have exhibited such uninterrupted longevity, for the past two-plus decades. It simply doesn’t matter if you’re gay or Goth, there is always a welcome spot for everyone at a Northbound Leather Fetish event. While there has been some grumblings heard within (predominantly) Toronto’s large gay leather community regarding the “melting pot” atmosphere of the parties, the vast majority of Northbound loyalists seem genuinely thrilled to participate in such an open, and accommodating, environment.

The other factor that separated this particular Northbound Leather Fetish Night from any other is the patronage of some of the more prominent Community leaders, and seasoned SM professionals, that came to enjoy the carnival-like transpirings on a cold Saturday evening. Many of Toronto’s best-known and most respected SM professionals were in attendance, and all seemed to have an incredible time. One memorable moment (captured in the photo at left) showcased four of Canada’s best-known and respected Dominas: Lady J, Mistress Katina, Ms. Marina Black, and Baroness V. While this photo was being taken, an adoring and appreciative crowd of acolytes – male, female and transgendered alike – gathered around and gaped open-mouth in appreciation of the moment. “Oh, what I wouldn’t give to be on the floor and in front of those eight beautiful legs”, one reveller was heard to whisper. Just off to the right, while this photo was being taken, the brilliant organizer behind Torture Garden Toronto, the extremely affable, approachable and popular Subspace Craig, could be seen on the dance floor with more than just a few ”fans” vying for his attentions. Just across from him, and on the other side of the four Dominas linked arm-in-arm, another popular event organizer, Sir Alex Dark, was seen smiling appreciatively while holding his girl (a thoroughly engaging and beautiful woman simply known as Dollface) tightly to his side. All of this was happening on the main floor of the nightclub, while on stage yet another well-known event organizer (Lady Viktoria) was just finishing up a scheduled performance of her own. Without question, it is rare that such a collection of influential and admired SM Community figures are seen enjoying each other’s company within the same sphere and space.

The point simply is this: For the past twenty years, Northbound Leather has provided a sanctuary for everyone who professes either a deep love or an idle curiosity for our lovely, self-expressive lifestyle. It’s the “secret formula”, the very ”glue” that binds us all together. Northbound Leather, the store, is the common link and their 20th Anniversary Fetish Night (especially) was certainly the common ground in which all fetish people, from all walks of life, could joyously express themselves in a truly unique setting and atmosphere. The night, celebrating the past twenty years, was perfect: here’s hoping the 20th Anniversary Fetish Night was also a fitting way to usher in Northbound Leather’s next twenty years.

(All photos courtesy of Northbound Leather)

LE DAME FOOTWEAR FEATURED ON RU PAUL’S “DRAG RACE”

February 2010

VERONA, WI – Le Dame Footwear is proud to announce that its signature line of shoes will be featured on the second season of “Ru Paul’s Drag Race” starring RuPaul. Season two of the hit show premiered on February 1^st, 2010 on Logo. New episodes are Monday nights at 9/8C and footwear from the Le Dame line will be highlighted in the March 29^th episode.

Le Dame Footwear founder Bernie J. Fatla said, “We are excited to partner with a show as entertaining and important as ‘Drag Race’. As the only shoe company in America producing and marketing feminine styled footwear in men’s sizes, this partnership helps us reach a huge number of cross dressing, transgender and drag queen consumers. We look forward to a long and mutually beneficial relationship with the show.”

Logo is the world’s leading ad-supported cable, satellite, online, mobile and digital entertainment gay and lesbian-themed network, from MTV Networks, a unit of Viacom (NYSE: VIA, VIA.B).  Launched in 2005, Logo’s cable channel is in more than 46 million homes across the United States and is complemented by a federation of online properties, including LogoTV.com, TripOut GayTravel.com, AfterEllen.com, AfterElton.com, 365gay.com, Downelink.com and NewNowNext.com.

To view the complete line of footwear from Le Dame, visit http://www.ledame.com/ or visit Le Dame Footwear at the International Lingerie Show in Las Vegas, April 10-12. Inquires can be directed to info@ledame.com or 877-365-9147

Le Dame Footwear is also now available on Von Gutenberg Couture. For direct purchase go here: http://vongutenbergcouture.com/Larger-Sizes-female-shoes-for-him.html

Erik von Gutenberg looks at Washington DC, the return of the snakes is on again!

DJ Johnny Panic & Richard A.D. have joined forces to host a special night for St. Patrick’s Day.

Celebrating Johnny’s Birthday & the 1 Year Anniversary of The Metro Underground, we’ve put together an evening of unbridled possibility & good times for all.

So please join us Friday, March 19^th (8:30pm-2am) for St. Patrick’s Night of Mayhem:  The Return of the Snakes! 

Somewhere around the fifth century St. Patrick drove the ‘snakes’ from Ireland.

Well we’re bringin’ ‘em back!

Co-hosted by Phoebe (of Dunkelheit) & Model Nicotine (of DC Fetish Ball).  

In memory of our dear & departed friend Dirk Smiler.

VENUE:

We’ve secured the party suit of a beautiful complex just off Capitol Hill & will be converting it into a private club. Plenty of free parking, easy access from I-295 / I-395, & just blocks from Metro. Address provided upon RSVP.

BAR & BUFFET:

We’ve assembled a premium full service bar with an array of top shelf liquor, beer, & wine, plus specialty infusions & select cocktails designed specifically for the event. A Full Irish Theme Buffet is also planned & will include Hors d’oeuvres, Main Entrees, Vegan Options, & Light Dessert.

Full service bartending provided by The Private Professionals (http://www.theprivateprofessionals.com/).

MUSIC & DJ’s BY:

DJ Panic (http://www.facebook.com/DJPanicDC)
DJ Dharmata 101 (http://www.myspace.com/dharmata101).  More TBA.

Please note that Johnny has state of the art sound & lighting so expect professional quality music & a club type atmosphere. There will be dancing & unbridled mayhem to last the entire evening.

ENTERTAINMENT:   We’re lining up performers for the night, so please check back.

RSVP & OTHER STUFF:

Pints will be hoisted at 8:30pm & will run until around 2am (possibly as late as 4am).

We have availability for just over 100 & will have a list at the door so please be sure to RSVP.  You are more than welcome to bring friends but it is requested that you bring something for the bar &/or buffet to help cover the gap (we have enough for those invited but don’t want to run out due to unexpected guests. And please, when I say friends don’t bring a whole platoon – thanks!).

Please note that this is a private party for various cultures & aspects of the overall scene & anything goes. As such, no kids, minors, or anyone under the age of 18. Please come with an open mind, a desire for fun, & conduct yourself in a respectful manner to all who are present. This is not an open forum event but rather a function for friends in the scene & world at large.

Contact Richard A.D. or Johnny Panic for more info & RSVP.   This will be an amazing evening you won’t want to miss but attendance is limited to just over 100 so RSVP now!

Email: Rick@TheMetroUnderground.com  -or-  sanitariumdemon@yahoo.com

Von Gutenberg Magazine is proud to announce Emile Jerard Fashion performing at the VON GUTENBERG FETISH BALL 2010! She will be vending and we will see a fabulous fashion Show Saturday Night at the Grande Fetish Ball in the Glas Kat Club! March 13, 2010 Emile Jerard Fashion Show in San Francisco at the Fetish Ball!

Emilie Jerard is a native of New Jersey, with a big-city heart and attitude. She is a natural designer without formal design training. ‘It’s a gift and I am willing to share it’, says Jerard. She is a gifted seamstress and design constructor who has an eye for style and a flair for creativity.  She is an the only alternative designer who specializes in high quality PVC material. Her fashionable fetishwear transends the scene attire with its versitility.  The corset that shapes you perfectly can be worn with jeans when you go out for drinks.  The shiny slacks that make you feel like a rockstar can be coupled with your favorite blazer and jacket for a vanilla party.  This high quality brand adds an array of color to fetish that reinvents wearing PVC.

Her website: http://emiliejerard.com/

I know you like to be different. I love that TOO!  Expression of INDIVIDUALITY is what EMILIE JERARD is about. EMILIE JERARD products express the unique sensuality and personality of her customers. My BRAND satisfies their need to be unique and to wear quality clothing with good value. Using classic construction techniques, the designer incorporate modern design concepts and new age materials to produce innovative and attractive apparel. EMILIE JERARD’s commitment to using quality materials and workmanship, produces quality garment that makes EMILIE JERARD and you DIFFERENT from the rest. My latest line features suits, dresses, and co0ordinates that work well with my line of corsets and accessories these garments are elegant, edgy and stylistically modern. Each design comes in a wide variety of size and style options that appeal to a broad range of people. I also offer a wide variety of customization options including fabric, color, trim, and pattern.

I enjoyed working on these designs…

Its your turn to enjoy it all. Saturday Night San Francsico at midnight Emilie Jerard Fashion Show in the Glas Kat at the VON GUTENBERG FETISH BALL!

Tickets: http://www.vongutenberg.com/shop/Event-Tickets/

Info: www.vongutenbergfetishball.com

Von Gutenberg Magazine is proud to have Judy Luck performing at the Burlesque Night March 12 in the DNA lounge in San Francisco!

Here the link: www.vongutenbergfetishball.com

“Sweet, Sassy, and Classy,” is how Los Angeles based performer Judy Luck is described by all who have crossed her path. This 22 year old girl next door may be young but don’t let that fool you, she’s been performing burlesque since age 17…. Before most clubs would even allow her entry! She began her career with International boylesque performer Bobbie Burlesque and Miss LuLu Lunaris in a magical trio. Soon after was on her own, craving all that is the world of Burlesque. Her acts are as all- embracing as her personality. Ranging from the classic striptease, to the naughty housewife. 

If that wasn’t enough, Judy also does pin-up and fetish modeling. She’s dabbled in Producing, by putting on her very own 21^st Birthday Burlesque show last year, and donating all the proceeds to various charities. Her career has given her the opportunity to travel to the Playboy Mansion, featured in The Topless Art Project supporting breast cancer research, and participating in Lucha Va Voom! Her inspirations are Hollywood starlets, most importantly Judy Garland, and the class of the past. Her smile alone will brighten up your day, so get ready to enjoy the luck coming your way!  

Judy Luck’s 21st Birthday Bash- December 2008

Fantasy Masquerade Burlesque Show- August 2009
Sunset Striptacular- October 2009
Burlesque and Cabaret- November 2009
Dollface Dames TripTease Burlesque Show- December 2009

Tickets here:  http://www.vongutenberg.com/shop/Event-Tickets/

The Von Gutenberg shop offers a 50% discount on the category calendars 2010:

The coupon code for you  is VG1

Madeline Le Roy in her 2010 calendar, every month a new highlight is waiting for you from this power woman in fetish, fashion & Lifestyle! Gothic and Fetish and Erotic photography, all you can find in this calendar, a wonderful 2010 issue for you to enjoy all year long! 17×13 inch format

Fabulous calendar from Prodomme & beyond from the San Francisco Bay Area!

Mistress Lucinda Archer, Mistress Ava Noir, Madame Katorga, Nina Hartley and Vinyl Queen and many more beautiful and stunning Ladies from the Bay Area!

A must have calendar with awesome portraits and summary of the activities of the Ladies and where to find them.

Click here: http://www.vongutenberg.com/shop/Calendars-2010/

Erik von Gutenberg is proud to announce that the Glas Kat Club Saturday Night is offering a dinner before the Grande Fetish Ball Saturday Night March 13 in San Francisco!

Come early and enjoy a dinner at the Glas Kat Club. Entrance: 7:30 pm

Enjoy a nice dinner in the club, dont stand in line and be part of the Grande Fetish Ball from the very beginning of the evening. Limited Seating, so please book early, first come, first serve!

Here the Menu for the Night:  

Three   Course Dinner

  * ONE GLASS OF DRAFT BEER or WINE  

* CHOICE OF APPETIZERS

Roti : Griddled flatbread w/yellow curry dip.

Crispy Chicken Potsticker : Deep fried asian-style Potsticker  served w/sweet & sour soy sauce.

Imperial Spring Roll : Minced pork, silver noodle, vegetables wrapped w/rice paper and deep fried  served w/sweet chili crushed peanut sauce.

Chili Crushed Calamari : Fried crispy calamari served  w/kaffir lime aioli and spicy cocktail sauce

* CHOICE OF ONE ENTREE

Pad Thai Noodle : Stir fried fresh jumbo prawns, rice noodle, egg, tofu, bean sprouts and crushed peanut in tamarind sauce.

Sweet Mango Chicken : Sauteed sliced chicken breast with spicy chili, garlic, brown sauce, sweet mango, onion and bell pepper.

Spicy Spaghetti (Kee Mao) : Spaghetti with sauteed fresh jumbo prawns, chili, garlic, bell pepper, tomato, green bean, onion and sweet basil.  

Western Teriyaki Short Ribs: Pork baby back ribs, soaked in teriyaki, ginger, hosin and bbq sauce. Steamed slow in our roaster oven until juicy and extra tender.  

Salmon Ginger : Grilled fillet of salmon topped with sautéed mushroom, ginger, yellow onion in a tamarind ginger sauce.

Living Room Sliders: Two 100% ground chuck mini burgers, marinated in Hoisen/ Terriyaki sauce, grilled medium, served w/onions and lettuce on a sweet bun.

DESSERT            

Scoop of French Vanilla Ice Cream

 w/chocolate Drizzle.  

Dinner tickets here:  http://www.vongutenberg.com/shop/Dinner-Saturday-Night-Glas-Kat-Club.html

She came, like so many have before her, literally unannounced and figuratively, out of the blue. A somewhat strangely timed and happenstance encounter during a large Fetish convention (ShibariCon in Chicago) was the catalyst that propelled this diminutive, gregarious and energetic flower to indeed (and you’ll excuse the gardenistic superlatives), bloom. A scant ten months ago, no-one had ever heard of her. Now, she is on the verge of becoming the next great, “in demand” rope bondage artist of our time.

There is little doubt that the majority of you have definitely seen her work – if you are an admirer of all things bondage. Her photos have been copied, traded and pasted on Fetish-related websites, and social media websites, for months now. What she does certainly isn’t unusual itself by any means: other, more notable names have published books and self-promoted themselves ad nauseum regarding the artistry inherent to any form of rope bondage. Other notable, high profile fetish personalities have specialized in publishing works that brought the seductive, nearly-meditative and specialized qualities associated with Japanese rope bondage to the forefront of our attentions. But what this particular fresh and aforementioned new sensation does within the realm of rope bondage enthusiasts is, truly, very unique: she does it to herself. While she is an accomplished and self-described “rope top” in her own right, she usually isn’t known for having a willing subject to secure and “have fly” for an appreciative audience. Other self-bondage artists have come before her, to be sure – but few (if any) have displayed the technical expertise; the intense, artistic raw beauty of both her performance itself and the finished “package” (when she has completed suspending herself); and the jaw-dropping speed in which she manages to safely display her sleek, bound feminine form.

We are discussing a beautiful young lady who is known in artistic bondage circles as none other than Lotuslily. She has already developed a massive following across the United States and Canada, and is starting to gain significant attention from our “stodgier than thou” cousins in Europe and Asia. While it is certainly true that Lotuslily has (inadvertantly and without intention) ruffled certain members of the “bondage establishment’s” feathers, it is equally true that noted Masters in the artform, including no less an authority than “M” from the revered Demonsix Group (himself a student of the incomparable Master “K”), has described her efforts as “very promising work here, (with) great aesthetic and design.” “M” has encouraged Lotuslily to ”continue working with Kinbaku” and that her “work is looking like some of the most promising work I have seen in North America in a long time.”

(Author’s Note: There is a common and wrong perception that the word Shibari is the term for Japanese rope bondage. It’s not: The actual term is Kinbaku, which in Japanese literally means “erotic bondage”. The word Shibari, like almost all misappropriated terminologies in our lifestyle, caught on in the 1990′s due to an error in translation on some rope enthusiast early websites and such, and has been propogated as accepted fact – even amongst gigantic trade show organizers. Shibari, in Japanese and in current context, literally means “to tie” – but it refers to a certain tie that is used when using twine or string to artfully tie up packages. While technically Shibari could be  loosely interpreted as being associated with tying up people, to the purist it isn’t correct. Just because it’s become part of the modern lexicon still doesn’t make it “accurate”. The correct and appropriate term for Japanese Erotic Bondage is, and forever shall be, Kinbaku.)

Her meteroric rise to prominence began innocently enough. As a child, she professes to have had a somewhat obsessive  fascination with puzzles. It became a tradition during gift-giving seasons to always ensure that she had a puzzle or two to ponder – and she would sit endlessly, hours upon hours (“except for eating and sleeping”, she said) until she managed to solve and complete the puzzle. Naturally, as she grew to maturity, so did the complexity of the puzzles she loved to tackle. Smaller, hand-held puzzles gave way to larger, table-top monstrosities – the completed 3-D statue and landmark versions began to fill every shelf in the family home – and she was fascinated at the intricacies by which each precision piece was cut in and placed in order to form a seamless work of art. She also appreciated the fact that viewing the Cathedral of Notre Dame, for instance, even in puzzle form, from different angles and perspectives held a breathtaking beauty all of its own.

Her exploration with Japanese bondage, in her own words, began as a somewhat natural extension of both the beauty of the puzzle itself, and the beauty of the completed product. “I’ve moved from static pieces and models to beautiful, living, pieces of art,” she said. “Flesh and rope have replaced cardboard and foam. I can ‘see’ the final vision in the piece I am working towards.” Self-bondage was not where Lotuslily (and you’ll pardon the obvious), “learned the ropes”. She found a simple and “great joy” in being initially bound by expert partners. In her own words, the experience of being bound for pleasure was “incredibly powerful.”

She soon found, however, that in order to grow and be true to the aesthetic that she had quickly come to embrace, if she wanted to give her art to the en mass fetish world, she would need to do one (or both) of two things: she would need to show her skill and talent by tying and suspending willing subjects, or she would need to tie and suspend herself. She chose to do both – and while her skills as a bondage “top” are formidable and are more than enough to satiate the desires of a crowd of curious onlookers, it is in her self-bondage performances where Lotuslily really produces mesmorizing performances. In essence, her body is a blank canvas, her jute rope her brushes, and the entire performance space her stark canvas.

There is no way to adequately provide a justifiable description of just how … beautiful … it is to watch Lotuslily craft one of her self-suspension Kinbaku performances. When she quietly entered the public performance scene just a few short months ago, she immediately began to turn heads. Small, impromptu “demonstrations” at Fetish Nights evolved into more organized, full-scale “happenings” (she was undeniably the “hit” of the Everything To Do With Sex Show, a huge three-day, fun-filled convention surrounding our “favorite physical pastime”, in both Toronto, Ontario and Halifax, Nova Scotia) where turned heads gave way to dropped jaws, popping eyes and ultimately stunned, appreciative, silent and absolute respectful awe for what the massive audiences had just viewed unfolding before them.

To try to put into mere words the beauty, power and magic that is on display when Lotuslily performs one of her self-bondage routines would not be enough to do the lady, and her artform, justice. Sometimes, no matter how talented the wordsmith, there just aren’t enough combinations of vowels and consonants stringed together that could adequately describe just how incredibly mind-blowing it is to watch her perform. It isn’t just the procedure of wrapping the rope and tying the various knots that she uses to “fly” for her spellbound crowd: it’s the speed in which she does so. Watching Lotuslily perform is part aerial ballet (think Cirque du Soleil); part meticulous engineering (there is an absolute beauty in suspension bridges, is there not? Same thing here.); and part pure athletic expression (she might put some Olympic gymnasts to shame, in how effortless and seamless her movements are). In short, in order to get a full appreciation of what sets Lotuslily apart from all the bondage artists who have come and gone before her, you simply have to see her art.

“I cannot find words that truly capture what I feel when I tie myself,” Lotuslily said. “I’m told that it’s peaceful to watch. I suppose in some senses, I find myself in a meditative state. I rarely think of much else other than the technical parts of the ties. But increasing practice brings muscle memory to my fingers, and technicality is of less importance. I often recall precious moments, partners, loves, and smile softly at the moments. Occasionally, I’m so overwhelmed with emotion that it brings tears to my eyes.”

Kardynyl SynysTyr

(Those in the Southern Ontario region can see Lotuslily perform at the Northbound Leather 20th Anniversary Event, at Club Revival, in Toronto, Ontario, Canada, Saturday, February 20th, 2010. Tickets are available through Northbound Leather and at the door.)

Erik von Gutenberg announces Madame Sadist Rubber ( Mina De Sade ) to perform Friday Night at the VON GUTENBERG FETISH BALL March 12 in the DNA Lounge in San Francisco.

Tickets: http://www.vongutenberg.com/shop/Event-Tickets/  

Madame S/R/N is a Lifestylist of the Fetish , BDSM , and Kink world for over 13yrs. She is currently a educator , Rubber Go-go dancer , BDSM performance artist , Domme and Fetish Model of the BDSM , Heavy Rubber and Latex lifestyle .  Her concentrations and background are Heavy Rubber , Containment fetish , Uniform , Smoking , Femme Domination, Encasement , Medical Fetish/Bondage and Fetish Burlesque . Ms. S/R/N has been seen @ Club Dungeon L.A. , Bondage Ball L.A. , Club Sanctus LA. , Confession LA., Batcave L.A. and Frightmare club L.A.  She was the former Ms. West Coast Olympus Leather 2008 & 2009 and 1st runner up Ms.International Olympus Leather 2008 . Madame Sadist Rubber has been a performer , educator and living the kink , fetish , bdsm life for over 13years and counting.

Burlesque and Rubber, how do you combine both?

I am what I am …. a Rubber go-go … I been dancing and strutting my shininess for over 13 yrs . I usually in pvc or zentia when I dance .. but now it is time to combine My 2 guilty pleasures / Sins …. Rubber and Dance.. Rubber is my skin .. it clings and molds as if you were born with it on …. In burlesque it is a sultry , active display of showing one true nature.. You are exposing ones inner and outer sexual persona …. This is a way for me to show both .. I feel my sexiest in Heavy Rubber and latex.. Since I love being a tease on the dance floor and stage back home in L.A. I want to bring the 2 most sexiest things that are within myself .. Burlesque and Rubber … I want to show that one can dance , tease , and taunt with out having to peel her skin to show the inner her !. I want to have the world fall in love with my second skin while they can still be able to see my ” human form ” … I love being in a transparent latex body and wearing latex lingerie on top . Making me feel so naked but so covered all the same …. I want to show the true flesh and bone of a Rubber girl … She is all transparent, 20g of shiny perfection !.

What do you like about Fetish?

* Fetish is my blood and my mind … I even work in a environment where I get to clean , shine and sell Latex , Leather and Kink supplies all day long . My uniform is complete with a rubber smock which I wear in pride and in lust … I love the psychological connections I have to my sexuality and my personality when involved or surrounded by one of my fetishes . It is even a point that i perform and educate in fetish identification and culture of fetishes and how they can complete a persons life . I know that with out my fetishes … I would be nothing more then a pretty face and mind with nothing else to show … But get me started on My fetishes and We can talk all day everyday with a different fetish for each conversation.

Latex, what is so special about this material?

* Latex , Rubber….I am a heavy Fetishist…The way it makes me feel.. I can not even notice at times that it is even on since it is like a second skin .. If any my true skin ! . I love how it has no gender, it is sexy and serious .. can be domineering or submissive . It can be just be purely for fashion yet can lead into sex.. It is something that has no rules but a beauty and a feel that only those who wear it can truly understand. It is the feel of being completely naked and completely covered . It is the epitome of avant gard and in a functional means . I love the idea of wearing something that is customized by your own shape , style and use . I sleep in Latex , have latex bedding and enjoy nights in my vac bed… I wear rubber and pvc shoes at work and educate other how to wear and handle Latex all day in a Rubber Butchers Smock …. I wear it as my second skin underneath all my other latex wears … A catsuit , bra and panties all latex , and then my fashionable latex outfit of choice …. It makes me feel one of a kind and when I see others in it .. I think they are all one of a kind as well.

What is planned for the VON GUTENBERG Burlesque Night, what will we see from you?

* It is a surprise !. I can definitely say I will give a new meaning to Neo Burlesque and shine a bit of latex and light on to the stage . I want to give a old fashion feel with a neo futuristic style … I believe a woman’s form in heavy rubber , latex and in containment is simply sexy ! . I want to show and introduce a form of beauty , sexuality and kink in a way many possibly have not thought about.. It is one thing having a girl dance in Rubber , another taking it off… But to have a true hardcore fetishist of burlesque , Rubber and Containment get on the stage it will be just as much fun for me , as it will be for those who will watch… All I have to say Erik is … It will be what I keep on that will keep you wanting … not what I take off.

You like San Francisco?

* I love San Francisco … i am planning to move to the East Bay or South SF area in late summer of 2010. I been exposed to SF on a regular basis off and on for 3 years and want to live in the town where i feel I connect most . I use to be part of a hook suspension team called CORE and their headquarters is out here and I want to get back into it . I am also a big advocate for kink and fetish and SF has it all for my evolving and all so collective taste in Fetish . I can definitely say in may instance when I had to pack to go back home to My home town Hollywood CA. I wish I did not .. The people , fun and leisure of SF makes me wish I was a local .. My heart is truly in San Francisco …

What are your plans for 2010 going forward?

To be creative as always ! . I just finished designing a few custom hoods and already have a few ideas in latex designs I want to have made . I am currently active in promoting and participating in the Montreal Fetish Weekend 2010, Dom Con LA. & Atlanta 2010 .. I am planning to visit the Rubber Doll Weekend in Minneapolis and whatever fun , fetish events that are to arise threw the course of the year … I hope to become more active in the many Von Gutenberg events and projects threw out the year as well . I love the magazine and the parties are live! I want to be part of such a evolving group of events . CHEERS !!! VON GUTENBERG!

www.vongutenbergfetishball.com

Erik von Gutenberg recommends Erotic Signature as already reported in the last issue of VON GUTENBERG MAGAZINE.

Erotic Signature is one of the leading publishers for beautiful and sensual art books. This event is
the release party for their 3rd annual publication entitled: “The World’s Greatest Erotic Art of Today” featuring over 200 beautiful artworks and sexy photography from all over the world (28 countries are included in the book).

In association with LIFE IS ART (http://www.lifeisartfest.org/) and the HOT JAM ENTERTAINMENT’s sexy dancers, expect an erotically charged night filled with Live Art, Bodypainting, Shibari demonstration (Rope Suspension), Shadow Dancing, Sexy Burlesque and Belly Dancing, sensual visuals for a sensory overload, an extremely sexy and uninhibited crowd, and much more…

Dresscode: Upscale, Sexy and Chic
Attitude: Debonair and Laisser-Faire
Live Painting by Kahra Keasling; Dianne Romero Buitrago; and Michael Diaz
Music by Joe Marella
Shibari Artist Deiter
Sexy Theatrical shows by Pamela Canellas and the Hot Jam Dancers
Sensual artistic visuals by EroticSignature.com

LA FETE EROTIQUE
FRIDAY FEBRUARY 19, 2010 @ MI-VI
901 S. Federal Hwy. (NE 213 St. and Biscayne Blvd) Hallandale Beach, FL 33009 www.mi6ent.com

FREE ADMISSION BEFORE MIDNIGHT!!!
(Just mention that you are attending the sexy art party)
RSVP/VIP table: fritze@prodigy.net  -  Tel: 305.375.8040

Erik von Gutenberg recommends the BARONESS. Her parties in NYC are unique, extraordinary and a “must” go. She is a fabulous host and you will enjoy this evening with old friends and you will make new ones!

The Baroness’ Fetish Retinue party presents:

Liquid Latex Spring Metamorphosis!

Armed with a paintbrush—her only ammunition, liquid latex—The Baroness performs a rite of spring, of transformation, of metamorphous. Slowly and seductively, she encases and binds her victim, trapping her in a colourful, liquid latex cocoon of second skin.

New York’s longest running fetish party, The Baroness’ Fetish Retinue, invites you to partake of the revelry at Batista Lounge, a wickedly seductive location, with a sinfully decadent back room play space, filled with equipment. Doors open at 9 pm. DJ Jen-E-Voltz spins. Drink specials from 9:00-10:30, and the champagne flows all night long.

Always the first Thursday of each month, this intimate fetish soiree is held at Batista Lounge, 40 Avenue C, between 3rd and 4th streets, New York City. Remember, bring your toys and come prepared to play!

Dress code: full Fetish $7, $20 all black, $30 in street clothes, absolutely NO blue jeans or sneakers. A firm believer that “Any occasion to dress is an occasion to overdress” The Baroness rewards those of you who do so with FREE ADMISSION if you look absolutely fabulous.

Should you need additional information, don’t hesitate to call, or visit www.Baroness.com. 

 Upcoming dates and themes:

Thursday, April 1^st, April Fools Day-Electricity

Thursday, May 6^th, Mothers Day – Mummification

Thursday, June 3^rd, New York’s Fetish Marathon –anything and everything goes!

Von Gutenberg Magazine recommends Patrice Catanzaro, the designer who loves women and fashion !

For more than 20 years, Patrice Catanzaro designs and sells a fashion style for women, which is sexy and without compromise. By establishing his new brand «Patrice CATANZARO» 5 years ago, the designer attempted to cover the whole palette of erotic clothes from the fetish scene to the brand new love-shops, from underwear with refined designs to long stylish dresses, passing by fetish models carrying new ideas and concepts as well as sexy evening gowns full of detailed work. The weath of ideas the designer has, seems endless.

Patrice Catanzaro higlights his creations by using his favourite fabric, the lacquer or Wetlook that is produced in a very high quality version for his own exclusive usage. The fabric offers an optical effect calling to mind leather and latex. It is very wearable as it allies the lycra softness and the vinyl brightness.  The fabric is breathable thanks to a top quality manufacturing and fits you like like a second skin. The models of Patrice CATANZARO’s collections always offer a perfect fitted wear. The lacquer/Wetlook is sometimes designed on its own, sometimes associated with lace, vinyl, fishnet or crepe. It shows the immense diversity of enrapuring design that the designer can display in his collections. Patrice CATANZARO’s creations always respond to your wishes without fail.

The manufacturing of Patrice CATANZARO’s collections is done in his workshops in France. His creations are sold and worn all over the world: from Japan to Australia, passing by of course the rest of Europe. His distribution network is present in France, the USA, Belgium, Luxemburg, Germany, Austria, Switzerland, the Netherlands and Italy. His representatives offer advice and direct support to all his clients in Europe and for the rest of the world.

His collection articles are made from S to XXL by standard. The customised made-to-order manufacturing for plus sizes is still available. Do not hesitate to contact us: we will be delighted to help you.

www.patrice-catanzaro.com

Erik von Gutenberg is proud to show the video clip from the last Fetish Ball in December with Rubberdoll, Anastasia Pierce, Athena Fatale and Hilarys Vanity!

Enjoy the Video and we are looking forward to see you March 11,12 and 13 again!

Event info: www.vongutenbergfetishball.com

Ticket Sales: www.vongutenberg.com/shop

VALENTINOS INFERNO

Porta aperta per chi porta – chi non porta .. parta pur
Witness our earthly pleasures but come prepared to join in the revelry. Bring an open heart and open mind, bring your power and give it to the Inferno. Without the strength of many the Legions of the Citadel may not rise. Your attendance and energy are required to mark this night in history. Send your RSVP’s to valentinosv@gmail.com the electronic messengers will deliver your needs to your devilish guide and host Maestro Stefanos. The time to RSVP ends at 12:01 on 2.13.10.
May the Legions of the Citadel rise to block out the sun and the night of the Inferno be written into our minds.

Maestro Stefanos

Presents

Valentino’s Inferno
Saturday February, 13th, 2010
8PM-2AM

A Night of Celebration for the Libertine & Lascivious.

The Loquacious Purveyor of Perversion, Maestro Stefanos, invites singles, couples, triads, quads and other leather families of all origins to make this February 13th a masked evening of food, fun and frolicking at San Francisco’s SF Citadel. Come out to play, come to dance, come to celebrate you and yours in the Inferno of the sinful. To Hell with Love on the annual event. There is only one Valentino’s … nothing is like it or its equal in entertainment, value, or pleasure.

Some Attractions & Features:
Dancing instruction by Swing Goth
DJ’s Raven & Mystic Moods
Kinky Operatic Performances with Figaro and Melina Star
Naked Harp by Chey
Fire & Ice Appetizer Buffet Catered by SMTTOY
Magic and Illusions by SixGunLover
Art Gallery of Hell
Complimentary Wine & Champagne Beverage Buffet
Aerial Silks Performance by hanahime
Erotic Belly Dancing with Miss Maggie Meyhem More to come!
3000+ sq ft dungeon

SF Citadel, 1277 Mission Street, San Francisco, CA

Admission:
Discount Admission with RSVP’s end at 12:01am 2.13.10
$30/person, $50/couple with RSVP
$40/person, $60/couple at the DoorInformation at valentinosv@gmail.com

Masks and Red Accents suggested Formal wear, fetish, corsets, leather, Latex, PVC … Hellish Renditions.
Voyeurism and/or Play are welcome.

There are some moments that are destined to be forever frozen in time – and enshrined in a special place of remembrance within our own minds. How apropos then, that a few of those frozen moments came courtesy of the Opening Ceremonies for the Games of the XXI-st Winter Olympiad, currently (and finally some would say) underway in the glimmering, emerald city that is, without question, the jewel in the Canadian crown.

There were the usual protests that dogged both a torch relay, coast to coast and throughout a vast country. The protestors continued their demonstrations, outside B.C. Place Stadium and relatively peacefully, during the opening of the Games themselves. The death in October of the man who spearheaded the city of Vancouver’s bid to host these Winter Games and was destined to never see his dream come to fruition with his own eyes (Jack Poole) was a crisis that, perhaps, lesser Organizing Committees may not have fully recovered from. The already somewhat subdued atmosphere surrounding these games was further driven into a very nearly funereal state when word came of the sudden death (training accident) of a Georgian slider named Nodar Kumaritashvili literally hours before he was to march with his team in the Parade of Nations during the Opening Ceremonies. The omens for Vancouver looked exceedingly grim, indeed.

If you will perhaps allow Your Humble Narrator, namely me, a momentary indulgence or two, Dear Reader, before we continue on to the main point of this missive … There are moments when one cannot help but feel a surge of nationalistic pride. In my own past, I’ve had two moments that stand out as signature memories that I associate with immediate and undeniable emotion that relates directly to how I feel about our people – Canadians – as a Nation. The first involved the groundswell of support, from coast to coast, for the Toronto Blue Jays baseball club when they won the World Series, back to back, in 1992 and 1993. Every city and town in the Great White North turned shades of blue for two straight Octobers – and the unifying aspect the Blue Jays brought to our nation cannot be understated. The second involved a single, seemingly unimportant ice hockey game in Calgary (I was there), between the New York Rangers and the Calgary Flames. It was known that the Rangers, featuring Number 99 himself, the immortal Wayne Gretzky, were not scheduled to play in Calgary the following year (1999), and the speculation was running rampant that The Great One was going to call it a career following this current season (1998) or the next. This is important to note: it was not lost on a single soul that what the Calgary crowd was witnessing could (and did, in fact turn out to be) Wayne Gretzky’s last hockey game in Calgary.

I will never, ever forget this … In a building that for nearly two decades was by far the most brutal and unpleasant place, fan-wise, for Mr. Gretzky to have to play in (he was a member of the hated rival Edmonton Oilers, remember, for years), when he made his final appearance on the ice with less than a minute to go in the game … nearly 20,000 people stood up, en mass, and roared their thanks. For ten straight minutes the man the city of Calgary loved to hate … was at last, a true hero, a national hero, and they saluted and cheered him loudly and endlessly. They cheered him mainly for what he had accomplished as a Canadian - not as just an ice hockey player. I have never felt more pride at being born Canadian than in those moments.

That was, until last night. We’ll talk a tiny bit more about Mr. Gretzky a little later.

Last night, however, topped both of those cherished memories. What unfolded before our eyes was a story of what it is to be Canadian. The myriad of exceptional performers somehow, miraculously, managed to make those in attendance (and the massive television viewing audience) overcome the moroseness that permeated the start of this special night. By the end of the performances, it didn’t even really matter that a major mechanical malfunction during the ceremony’s final moments brought proceedings to an awkward and somewhat uncomfortable standstill for about five minutes. The tragedy of the immediate past had given way to a euphoric feeling … of accomplishment. We believe these Winter Games are going to be the most memorable – the best – in history.

Yes, even the ”wilder” side of Canadians got into the mix a little. During a coast-to-coast tribute to Canada’s various and culturally varied regions, a contingent of mohawked, kilted, leather corseted and combat booted and high  energy fiddlers invaded the stage for an unbelievably uplifting, raucous musical tribute to Canada’s Maritime provinces. Most of the women who joined the “wildmen” were adorned in some fashion of extremely well detailed leather gauntlets that marched their rakish leather corset-tops. This, following an amazing performance by a single artist suspended above the Stadium floor in a glowing blue canoe; covered in furs, head to toe and with a hairstyle that would put the best Viking horns to shame. The “Viking” in the blue canoe proceeded to have a fiddling contest – with his shadow being cast against an enormous Harvest Moon. At first, the audience is led to believe the shadow on the moon is indeed just that – until the shadow starts going off and playing, dancing in it’s own direction (but all in perfect syncopation and harmony with his “live” counterpart in the blue canoe).

But shadow play contests and Maritime punk-rock fiddlers (some that would put the infamous Ashley MacIsaac to shame) aside, there is something even more remarkable about these Opening Ceremonies; something that could be considered quite kinky and twisted, in its own way.

The people chosen to light the Olympic flame within the Stadium couldn’t have been chosen any better. Rick Hanson (the Man in Motion), Canadian skating legend Catriona Le May Doan, Canadian skiing legend Nancy Greene, Vancouver-born and raised NBA basketball superstar Steve Nash and, (in the supreme choice of all who believe what is “right” within the Canadian world) Wayne Gretzkycollectively did the honor of lighting the flame – despite the fact that a serious hydraulic malfunction prevented one of the four gigantic “ice crystals” from rising beneath, and tower above, the Stadium floor. It was left to Mr. Gretzky to venture out – completely unannounced – into the streets of Vancouver and carry the Olympic torch some 20 blocks from the stadium to the waterfront, where the “permanent” Olympic Cauldron had mysteriously appeared. Mr. Gretzky was taken to the outdoor Cauldron on the back of a Police Ford Tahoe pickup truck, and as word spread of the voyage, throngs of jubilant people ran alongside, each completely unaware they had just made a small entry for themselves into the history books with the “escorting” of the flame. There is no bigger symbol of our country than that embodied in the voice and stern countenance that belongs to Wayne Gretzky. The man has never failed to answer his country’s calling. He answered, in spades, this time as well. His lighting of the outdoor Cauldron was the perfect ending to a near-perfect – and Canadian – evening.

Bob Costas, the absolute best sportscaster in the world, in his NBC Broadcast last evening, seemed at first bemused – and then in awe – of a not-so-subtle change in attitude emanating from the Canadian hosts. He carefully and patiently, perfectly, informed the American viewing audience that the Vancouver Winter Olympic Games were designed to be Canada’s “debutante” party as a world power in the world of winter sports competition. Mr. Costas at times seemed to marvel at the “Hollywood feel” of the pageantry taking place before him: he certainly made a point of mentioning this kind of overt, “in your face” presentation was very unexpected from his cousins to the North. In the way that only the vocally perfect Mr. Costas could do, as the Cultural Pageant was winding down, he quipped: “”Some say the Canadian initiative of Own the Podium and winning the overall medal count represents a shift in Canadian attitude, to be so openly assertive and ambitious. Canadians as a group are among the most friendliest and most welcoming people on the earth. But I don’t see anything incompatible with saying hello, welcome, we’re very friendly, we’re glad that you’re here, we want you to enjoy yourselves …  and now we would also like to kick your butt!” 

That is the kinkiest, most twisted thing about the start of these Winter Olympic Games in Vancouver: We might be Canadian and we might still be the friendliest people on earth, but this time we have a swagger in our step and we have a true sense of National Identity that heretofore had only been recognized amongst the Americans. The Opening Ceremonies went from being a potential tragedy-filled “Grief-Fest” to the best “coming out party” our Nation could have asked for. It’s up to the athletes, now, to carry that new-found sense of national accomplishment forward, and make their countrymen and countrywomen proud.

Canadians? Calm, assertive, brash and expectant? Impossible, you say! That, my friends, is truly the kinkiest twist imaginable to the start of what appears to be a most amazing Olympiad. No more sadness, just let the real Games being!

Von Gutenberg Magazine covered the “Baby Be Mine” show last night in the Temple in San Francisco. A special Valentine’s Day Fashion Show Fundraiser with Live Music, Sexy Fashion Show, Comedy, DJ and Dancing. All proceeds go to the Haitian Earthquake Relief.

Charleston Pierce produced and choreographed the spectacle and it was an amazing night! Mistress of ceremonies Sterling James, the Comedian Daniel Dugar and different Musicians like Jonno, D Lee Soul revival guitarist Randy Razz and Adam Ivey rounded up a completely amazing evening.

The Fashion Show was amazing with West Coast Leather, Monae, Anayma Wear, Aksel and A La Folie Lingerie. here some impressions:

Von Gutenberg Magazine is proud to announce the partnership with Hubba Hubba Revue for the Friday Night Burlessque & Fetish Night at the VON GUTENBERG FETISH WEEKEND March 11, 12 and 13 in San Francisco. Hubba Hubba first and than top Burlesque Star Ava Garter will be in the DNA lounge March 12, start 9pm!

Tickets here:

www.vongutenberg.com/shop

HUBBA HUBBA REVUE

San Francisco’s Hubba Hubba Revue has been a mainstay of Bay Area entertainment –and the premiere burlesque & variety show- for over 3 years. Performing monthly at DNA Lounge –and weekly, Monday nights, at Oakland’s Uptown Club– every Hubba Hubba Revue is an unforgettable combination of irreverent comedy, top-notch talent, and of course a generous helping of classic striptease.

Voted “Best Burlesque Revue” in the Best of San Francisco 2009 by SFWeekly.

“Pasties, booze, and pretty girls thumbing their noses at propriety? Sounds like a party to us. For more than three years, the Hubba Hubba Revue has been upstaging more coquettish burlesque acts with a tasty goulash of live bands, classic striptease, vaudeville high-jinks, and Weimar era–esque cabaret acts.” – SFWEEKLY

SISTER KATE

This gorgeous trio of dancers combines cabaret-inspired theatrics with bellydance, vaudeville, and themes that range from the comedic to the sultry & sinister. Always sexy, always alluring, the three ladies of Sister Kate never fail to shimmy their way into their audiences’ hearts.

Sister Kate also produce their own show, “Baxtalo Drom — The Lucky Road” monthly at the Amnesia Bar in San Francisco.

FLAME CYNDERS

Originally from Atlanta, GA, Flame Cynders is a rare & beguiling beauty who’s work focuses primarily on the classic era of burlesque. From feathers to glitter to everything in between, Flame is a practioner of the Art of Striptease.

MYNX d’MEANOR

“Tho’ She Be Little, She Be Fierce,” –so goes the motto of San Francisco burlesque performer, Mynx d’Meanor. Mynx has been delighting audiences with her unique and always delectable performances for over 3 years now –both here in SF, and in San Diego, where she produced her own shows, “Fishnet Follies,” and “Comic Strip.”

SPARKLY DEVIL

Already a burlesque star in her own right when she moved to San Francisco from Detroit in 2006, Sparkly Devil joined up with Hubba Hubba Revue and it’s been a match made in striptease-heaven ever since.

With a range that includes everything from superb comic timing to dramatic performance to combinging feather-fans with gangsta rap, Sparkly Devil is one of the most dynamic performers in the burlesque community.

TWINKLETOES McGEE

A compatriot of Sparkly Devil’s from her Detroit days (where the two of them were members of the troupe, “Causing A Scene”) Twinkletoes only recently moved to San Francisco –but he’s already taken the town by storm.

An amazing and classically-trained dancer, Twinkletoes raises the bar for talent on-stage, all while maintaining a not-so-hidden wink at the audience.

YOUR LITTLE CHERNOBYL

A member of Hubba Hubba Revue from almost it’s very first day, Your Little Chernobyl is a lithe, captivating performer who combines superb burlesque with ariels –on ropes, hoops, silks and more– to create fascinating visual artistry you won’t soon forget.

MADAM CHARTREUSE

A native of the great city of New Orleans, Madam Chartreuse is a statuesque beauty with the sultry voice of a riverboat-belle… and a pair of full-sized leather bullwhips that she knows how to use.  Once she casts her voodoo spell, no audience ever forgets a night with Madam Chartreuse.  

KINGFISH

People who know better refer to Kingfish as Jim Sweeney, a long-time San Francisco show-producer and entertainer who has been co-creator and M.C. to such Bay Area extravaganzas as “Spectacular! Spectacular!” and “Creepshow Peepshow.”

With fellow Bay Area MC, Eddie Dane, Kingfish started Hubba Hubba Revue in 2006, and the show has since become a major element of the Bay Area entertainment scene.

www.vongutenbergfetishball.com

For some reason, this time of year (St. Valentine’s Day), for one reason or another, almost always seems to be less of a love-fest and more of a “massacre.” Misfortune does seem to happen – and with a vengeance – to couples, and right around this time of year. Personally speaking and also speaking from personal past experience, February 14^th is usually the day pinpointed as the exact date in which couples realize they are never going to be able to  “grow old” with the person sitting right across from them. Men and woman seem to go through a staged piece of “performance art” in an empty show of affections towards their partners – because it’s the “expected” thing to do. The truth is, this vacuous and near-meaningless day, except to those who believe the day is simply for an exchange of bright red cards and candies (namely children), unfortunately for a lot of couples is more a realization that “this isn’t going to work” than an affirmation of “forever in love.” 

Think about it: how many couples have you known whose relationships have fallen apart either on, or shortly before, St. Valentine’s Day? Isn’t it somewhat of a sick, twisted bit of irony that the patron saint (and his patron calendar day) devoted entirely to the notion of “love everlasting” is, statistically at least, merely a stale and staged, obligatory and nearly-catatonic, expressionless and passionless reciting of poetry, flowery speech and near-robotic like handing over of the aforementioned cards and chocolate hearts? Isn’t it true this is how we’ve collectively all been “programmed” since we first exchanged crude, paper hearts in our Grade School classes with the cute little red-haired boy or girl that sat right next to you?

Where’s the truth behind this “Love Business”? And indeed, it is a “business” – a booming one. Valentine’s Day festivities are the second highest average of disposable income expenditures, per person, of any secular Holiday (Christmas is the first, naturally). That’s a lot of diamond rings, pendants, necklaces and bracelets. Is that what “love” is all about? Is this what St. Valentine had in mind? Who the hell was St. Valentine in the first place?

Oh, wait: “Valentine” was the name of several martyrs who died vicious, horrific deaths; none of which are associated with “love” in any fashion. While that unto itself might be somewhat considered “Cosmic Righteous Karma” (when taking into account our earlier discussion), what’s the real deal with this whole “love” thing then, huh? What’s the real story behind the red hearts and those that are so essential to February 14^th?

You’d best be prepared for a bit of a shock, gentle readers: St. Valentine’s Day actually has its genesis in the one thing that is very near and dear to our little candy-red hearts: Fetishes. Specifically leathers, feathers, furs, whips and yes – even blood.

See, there is one thing that evolving religions (most notably Christianity) always have done very well: they “borrow”, adapt or outright just steal festivals that are popular to the mass population of the particular time period, give it a “wash” in the waters of acceptable recent doctrine, and mold and shape it (sometimes with force) into what amounts to the exact same festival but with a new spiritual focus. It’s a really good way to keep control of your population, after all: give the people their gods and goddesses, keep their flagons filled at the festivals with wine and ale and encourage a little “letting loose” every so often, and they’ll be quite content and happy. In Roman times, that usually meant if you were a Senator, Governor or Consul and responsible for any segment of the population’s collective happiness, the best way to keep your head on your shoulders, and not have it severed by any number of opportunistic political assassins, was to give the populace what they wanted.

The populace wanted Festivals. Specifically, they wanted festivals that involved wine, food, open-air spectacles, games, – and, of course, sex. The February Festival of Lupercalia was regarded as “beginning of the fertility period” of both the Earth, and (of course) women. The Lupercal (“Wolf’s Den”) is the cave within the Second of Rome’s legendary Seven Hills in which the babies Romulus and Remus (the mythical founders of Rome) were suckled by a “Capitoline She Wolf” – and therefore the inference is that the Romans are celebrating not only the very reproductive re-birth and nurturing of the Earth (the beginning of another harvest season cycle), but they were celebrating the very genesis of Rome itself.

Without going into long, long detail about the carnage and carnality that this particular Festival ultimately became infamous for (no less an exceptional ancient chronicler than Pliny the Elder has graphically described many Lupercalia rites and rituals), it must be said that Lupercalia was all about excess. Some of the festivities included the sacrificing of livestock (usually goats) and engaging in head-to-toe “body painting” in the blood; extreme indulgence in wine and strawberries (more about them a little later); and an insatiable appetite for sexual release and pleasure. Lupercalia was, after all, the start of the fertility cycle in Roman eyes, and stimulation was absolutely essential to the long-term success of the crops in the field and the (leather) crops in the hands of noble farmers seeking approval from the gods and goddesses for good health, good fortune and especially great “fertility.”

What seems to be the most revered Ritual of Lupercalia, (certainly the most written about) featured scores of women lining the streets of Rome, backsides turned street side, in the hopes that one of the Luperci (the acting “High Priests”, a mostly ceremonial but much-desired role amongst the noble farmers), dressed in ritual goatskin leather garments and covered in blood, would bless them with a hard strike from one of these leather “crops” (which actually are long whips with double-tailed extensions, but sporting a very long, riding crop-like handle). These leather “crops” were called februa – and each woman who was selected by the passing throng of noble farmer-priests, all day long and throughout the Seven Hills of that ancient capital, to receive whip strokes felt that they had been purified by the pain, and their future ability to reproduce was assured (if not immediately realized) for another year at least. In case you’re wondering, the month of February actually does derive its name from these ritualistic leather crops/whips. The Romans had a deep, deep seeded belief that being whipped was purifying (kind of like pushing a yearly “Sexual Reset button”), and the women who lined the streets and offered their bodies up to be whipped would, at times, injure themselves in the fight for the Luperci’s attentions. The februa, the idea that pain is purifying and the idea of atonement for past behavior (“sins”) are some of the more popular “borrowings” from Lupercalia that found their way into aspects of the Christian church. The februa has been replaced by the scourge; purifying and painful atonement has evolved into “confession”, etc. You get the picture, I am quite certain.

The Feast of Valentine was (and still is) a direct adaptation from the Roman Lupercalia. In other words, a far more sanitized and Christian-friendly version of the wine, whips and love fest – you get the idea – that the Roman mass populace (Christian or not) still so loved. How did we get from a Roman Pagan Wine, Whips and Sex Fest to shy lovers exchanging simple cards, flowers and if they’re lucky, something sweet and chocolate to suckle on?

During the early Christian Rome era, the first so-called “Christian Emperor” – Constantine, who actually was a devotee of the god Apollo his entire life and was only converted to Christianity on his deathbed – knew that this strange, secular new faith was sweeping through Roman streets and towns with no sign of waning in influence, or popularity. Constantine was a smart enough man to know that in order to consolidate Rome’s power, the entire Empire needed to be united under a single faith. Contrary to what many modern Christians believe, a previous Emperor named Galerius was the first to actually decriminalize and issue an Edict of Tolerance in regards to Christianity. The edict allowed the public the right to practice the Christian faith openly if they so chose to. What it did not allow was Christians to own land – let alone have churches built.

What Constantine did, in regards to the Edict of Tolerance, was extraordinary: He simply issued an edict of his own (The Edict of Milan) that afforded the early Christians the exact same rights and privileges as every other citizen of the Empire. He also actively encouraged the early church to build – and is solely responsible for donating the land in which Vatican City now occupies. Simply put, Constantine was a very smart man: he saw that the followers of Christ were dramatically on the rise, and the followers of the old gods and goddesses were dramatically in decline. His decision to unite the Empire under the Christian banner was not fashioned from any shard of faith in the “new religion” in the slightest. It was a political necessity in order to satiate and mollify the growing masses of Romans being converted, and therefore avert any future Civil Wars. To quote author Dan Brown (The Da Vinci Code): “He simply backed the winning horse.”

More to the point of our story, Constantine brilliantly managed to solve a major, dividing dilemma: How to merge the old Pagan gods and goddess traditions with the newly sanctioned, official “state” religion of Christianity? His plan was surprisingly simple: He “created” a heroic and martyred figure and named him Valentinius (no doubt, the Romans being meticulous record keepers, pulled from the pages of at least one Roman Annual), and acclaimed this new figure a true, devout follower of Jesus Christ who had perished in the act of spreading the testaments. Conveniently, Valentinius (the name means “Valiant Man”) was given the title “Sanctus Situ” – “Elected of Saints”, the very first Christian Saint thus recognized (St. Peter’s sainthood came much, much later), and was made the patron saint of “the acts needed to insure the successful harvest.”

It was a bold and absolutely brilliant – but transparent – move. The Romans of the day, it is quite certain, were bemused by this decreed new “sacred figure” who wasn’t quite a god, but was still more miraculous (in death, at least) than the common man. “Valentinius” was tolerated as the central figure of the new Lupercalia for a generation or two, simply because the people had been allowed to carry on their beloved “sex festival; and all legally and with the very approval of the new Christian lawmakers. As what was expected to happen, Valentinius “himself” eventually started to drew “admirers”, and within a few short decades this convenient, invented and expedient new champion of Christianity went from being an amalgamation of several martyred figures (who carried the Valentinius name) into being proclaimed the only “Saint Valentine” at the Council of Nicaea (the very Council that, in essence, “elected” Jesus Christ as “The Divine Manifestation of God in Human Form”). St. Valentine was “awarded” a Feast in his honor (February 14^thin our modern Gregorian calendars), and it wasn’t until the start of the Dark Ages that “The Feast of St. Valentine” had its sensuality and excess turned down, just a tad. Naturally, everything related to sex and pleasure at the start of the Dark Ages more or less ceased to exist – insofar as mass public displays were concerned. Upon penalty of imprisonment, or worse, the goatskins, wine and whips were all quietly phased out of the celebration … But not the strawberries. The bright red fruit, the clergy allowed the masses to have.

It was believed that strawberries were a powerful aphrodisiac (aren’t they still?), and strawberries were consumed in mass quantities during Lupercalia (remember that whole “fertility” schpiel?). The strawberry was considered so potent and divine a magic, Romans cut the strawberries in half and shared it with their partners. Take a look at a sliced piece of strawberry one day: what do you notice? It kind of looks like a Valentine’s Day “heart”, doesn’t it? There are other stories, no doubt somewhat based in fact, that “red hearts” were actually a simple graphic representation of a woman’s bottom, as seen from the back and if she happens to be bending over at nearly a 90 degree angle. Both explanations have an air of truth about them, and now you know where that particular piece of beloved graphic Valentines imagery stems from.

Why am I sputtering all this nonsense about Valentines, Pagan lust festivals and mutli-seeded red fruit, I can hear you asking?

Easy! My beloved Lady J has been away and is coming home from the East Coast this week. For me, the Feast of St. Valentine, the Lupercalia, St. Valentine’s Day, whatever you choose to call it, is an opportunity to express my deepest affections, highest respects, worshipful esteem and … True Love … to the woman who has given me her hand. In my eyes, the whole world may know just how honored and grateful I am to even be allowed to hold said hand – and in the spirit of those who “Love”, it seemed appropriate to give a brief rundown of Fetish and Kink’s rightful mention as the true genesis of this “Day of Love”.

I do need to go, now though. I need to run down to the local grocery store and pick up about seventeen pounds of strawberries.

Erik von Gutenberg is proud to announce that SIN FISTED is performing Saturday night at the Glas Kat in San Francisco at the Grande Fetish Night! She will be performing Saturday March 13 on the main stage!

Here a small bio from SIN FISTED:

I have been performing for 12 years now. My skills include: extreme pole dancing, contortion, fetish & fashion modeling, s&m performer, burlesque dancing, latex & runway modeling (as well as featured in music videos & independent films).

Other modeling gigs include working with the ever famous Male Model: Tony Ward, Top Fetish Photographer: Steve Diet Goedde & World Famous Dark Artist & Painter: Michael Hussar (just to name a few).

I’m fortunate to be a performer & my reputation has taken me around the world (Japan- “System Hardcore” as well as Jamaica- “Kink in the Caribbean” twice!) to entertain my audience.

My style is all my own & I visually show my audience what I thing the song should “look” & “feel” like.
With my energetic performances, crazy flexibility & ever-changing “look”, it’ll be hard Not to get sick of watching me.
Don’t blink! Or you might miss something truely amazing!

You will see here March 13 at the Glas Kat Club in San Francisco, stunning, unique and extraordinary!

General Event Info: www.vongutenbergfetishball.com

Tickets here: www.vongutenberg.com/shop

More Information about the VON GUTENBERG weekend:

VON GUTENBERG FETISH WEEKEND — SAN FRANCISCO March 11,12 & 13

These are *3* amazing events back to back, THURSDAY, MARCH 11TH thru SATURDAY MARCH 13TH.
THURSDAY!
March 11th — Meet & Greet Party & More at MISSION CONTROL, SF!
                      Dance party! Play-space! Weekend kick-off fun!

FRIDAY!
March 12th — Burlesque Extravaganza at the World Famous DNA Lounge!
                      Hubba Hubba Revue, w/ special guest AVA GARTER, and
                      and an ultra sexy dance party with your favorite DJ’s!

SATURDAY!
March 13th — The GRAND BALL at Glas Kat, SF! Fashion shows! Live model
                      casting! Fetish superstar JEWELL MARCEAU and SIN FISTED and much,
                      much more

Erik von Gutenberg recommends the Fetish Factory party in Fort Lauderdale for Valentines Day.

Don’t miss the famous and ever-popular FF Valentine’s Fetish Ball taking place Saturday February 13 @ our NEW venue Sea Monster Nightclub in beautiful downtown Fort Lauderdale.

RSVP
Our records show that you have been invited but have not yet RSVP’d to this event. Visit the events page to RSVP now! Watch the list grow daily leading up to the event.

Event Tickets
Tickets are now on sale @ the FF store for only $15 cash. You can also get em online for $15 (+2.50 svc) or wait until the last minute and get em at the door for full price, $20.

www.fetish-party.com

Erik von Gutenberg recommends Fetish Nation in Los Angeles February 6 at 6655 Santa Monica Boulevard, Hollywood, CA 90038 from 9pm to 4am.

The breakaway fetish-industrial megaclub of 2009, starts the decade off with a bang this Saturday playing around with Fetish for Power –
military uniforms, police shakedowns, drill court rendezvous and politics on the dancefloor.
who’s in charge, who’s on top,
who’s in the right, and who needs to be disciplined?

Erik von Gutenberg recommends hubba hubba revue and is excited to announce that Von Gutenberg is doing a co production with hubba hubba on March 12 for the fetish ball weekend Friday Night in the DNA lounge!

Hubba hubba is one of the most respected Burlesque performances group and rocks the Bay Area for quite a while already and tops its performances every week. They do performances in the uptown in Oakland as well as the DNA lounge in San Francisco.

Everybody loves Burlesque and if you see hubba hubba, than even more!

But first hubba hubba will be in the uptown again in Oakland!

Next event:

February just keeps getting better! Hubba Hubba Revue returns to the Uptown Club, MONDAY FEB. 8TH, with an All-Star line-up guaranteed to tickle your fancy right where you like it tickled best!

we’ve got…

KISS ME KATE!
Eva Valentina!
Monifa!
Pin Key Lee!
Vivi Ennui! (from Reno!)
Zip the What-Is-It?!

special troupe performance by
JELLYFISH KISS!

and everybody’s favorite drunks/MC’s, Kingfish & Eddie!

still just FIVE BUCKS!

Doors 9PM, Show 10:15PM
21 & Up w/ID

THE UPTOWN CLUB
1928 Telegraph Ave, Oakland
(just 1 block from 19th Street BART!)